INFOMATION DESIGN PROJECTS

CONTENT IS THE INTERFACE

Digital Navigation differs greatly from the application of wayfinding devices to a mobile device because of spatial limitation and the quantity of information a user digests. In this sense, mobile navigation systems must acknowledge the user’s need to form a distinct mental map of their digital "transit", but in a temporary structure. The very incarnation of the touch screen signals users’ desire to incorporate their mobile device and its information into their physical journey. Users are despotically warping size, scale, orientation and flow of information by pulling and touching it with their fingers. In this way, their digital universe becomes that much closer to being incorporated into their geophysical navigation. We have the innate desire to manipulate our digital environments pull them into our world, make them tangible, not to do the opposite.

Universal semiotic devices (grid structures, grab-hand) should be restricted to signify only the specific when adapted to new screen environments. The plurality of direction between each destination (because users are now generating content, they are participating in the construction of these destinations) should always be conncected with a mnemonic supplement. Much like signage, the content IS the interface. For social media sites, the content that is pulled from thousands of sources is compiled into a single streamlined, text based atmosphere. A device that functions to navigate these several sites should do the same: it should utilize the organizational methodology both in function and aesthetic, to streamline multiple sources into a customized location. This serves as an intermediate point between “HOME” and “WEBSITE” and must provide a familiar and well-structured reference point.

B2B Cycle: A Purchasing Platform

A broad examination of the commercial relationship between small and large businesses, as they would appear on a B2B trade site. The small/medium businesses benefit by saving money through high purchase volume, as well as opening new opportunities for business with an established enterprise. Large businesses are able to acquire unique, custom goods at a flexible scale, with less commerical obligation.

Form and Function

Icon design requires examination of how visual details communicate functional attributes. In thinking about physical properties of something as mundane and malleable as fluid mechanics, I explored several ways of conveying things like movement, pressure, flow, density — with simple visual language.